Their improvisations became marches through undetected territory progressing from one place to the next without insecurity, without asking, without knowing the way, but being able to rely on the comrade at your side, just letting the music flow. Probably very few bands would be able to develop and progress improvisations in the way e.s.t. Such a connection becomes especially important when jamming without net in a studio marathon like e.s.t. This high level of interaction was achieved through years of playing together, hard work and preparation after all e.s.t. Throughout their existence one of the defining characteristics of e.s.t. Three years on, in October and November 2011, Dan Berglund and Magnus strm revisited the material from that recording and together with their regular sound engineer Ake Linton made their own edit for an album which is now called 301 on the basis of the name of the studio where the album was recorded. The untimely passing of Esbjrn Svensson then disrupted this undertaking and only one of the albums, Leucocyte, was released at the time. Very soon after the recording Esbjrn Svensson had edited much of the material down to two albums.Īnd so the plan at the time was to release either a double album or two consecutive albums from this recording. Leucocyte became the first release from this recording and has been praised by critics and fans alike as a ground-breaking work that leads into a new musical universe. It was undoubtedly the prime time of the style defining jazz band of the Noughties.Įsbjrn Svensson, Magnus strm and Dan Berglund decided to rent the famous Studio 301 in Sydney for their off-days in the middle of the Australian tour and jammed for two consecutive days to develop new songs and material. Only a few weeks before they had finished their triumphant tour of Germany performing their now legendary Live in Hamburg concert (awarded Album of the Decade by the London TIMES). It was their third tour of Japan and their second time on the fifth continent and the venues and audiences had become noticeably bigger. The Childhood Dream (7:56) Personnel: Esbjrn Svensson grand piano, electronics, transistor radio Dan Berglund double bass, electronics Magnus strm drums, electronics, voices In January 2007 e.s.t.Īsia and Australia performing shows in Tokyo, Osaka, Yokohama, Jakarta, Perth and Sydney. If you have some questions or proposals for better future and development of our site please click Contact us and leave a message.Īnd this is really so, someone likes pop, someone likes rock, and here are people, that like jazz and blues.
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Esbjorn Svensson Trio 301 Rar File Full Album Of.
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